Publications
“Lo que queda/That which remains: Dancing Bodies, Historical Erasure and Cultural Transmission,” The Body, The Dance, the Text: Essays on Performance and the Margins of History, Jefferson, NC: McFarland, February, 2019.
Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives, eds. Ninotchka Bennahum, K. Meira Goldberg and Michelle Heffner Hayes, Jefferson, NC: McFarland, 2015. Contributed chapter “Choreographing Contemporaneity: Cultural Legacy and Experimental Imperative,” and co-wrote Introduction, in addition to curating and co-editing contributions by twenty-four international scholars in Flamenco Studies.
Flamenco: Conflicting Histories of the Dance, Jefferson, NC: McFarland, 2009.
“The Writing on the Wall: Reading Improvisation in Flamenco and Postmodern Dance,” Taken By Surprise: A Dance Improvisation Reader, eds. Ann Cooper Albright and David Gere. Middletown: Wesleyan University Press, 2003, p. 105-118.
“Blood Wedding: Tradition and Innovation in Contemporary Flamenco,” Dancing Bodies, Living Histories: New Writings on Dance and Culture, eds. Lisa Doolittle and Anne Flynn. Banff: The Banff Centre Press, September 2000, p. 48-62.